Jackdaws At Dusk

Jackdaws At Dusk
Showing posts with label ellen golla. Show all posts
Showing posts with label ellen golla. Show all posts

Sunday, 24 October 2010

Paper Mosaic Collage

























































I'm feeling very honoured to have had comments on a few of my posts here from Ellen Golla herself after having found and joined her own blog site which she then followed the link back to my blog site. In honour of that I thought I'd include photo's of the paper mosaic collage I created inspired by her images.



I created this collage mosaic based on a sketch I did of the light patterns from a lamppost that had grown up into a tree. The image by Ellen Golla that fed into my version was "I'd Drown Looking for You" which I found on her website and did my own sketched version above. It was the flow of mosaic pieces that really caught my eye, along side the contrast of the vibrant and shinning colours in the centre surrounded by the darker shadowy areas. My own version tries to tie in these elements of flow and vibrant colour. The allusion to fire is something that I'm happy with because Ellen herself also uses a lot of fire images in her own work, which makes me wonder if it has symbolic meaning for her.



My comments in the previous post about her work mentioned how labour intensive I found doing this image. I took about four hours to do this small A3 size image, working for an hour each time for four different sessions, most of the time taken up with cutting the pieces. Towards the end of the piece, for the areas down the bottom, I tried to short cut the amount of time spent cutting by folding the paper a few times over and cutting through five or six layers at the same time. The saved on time but ended up with irregular shaped pieces and sometimes picked up on colours in the magazine scraps that weren't quite right. The pieces in the middle of the image were cut individually so it features little detailed pieces that I wanted to include such as the tiny little slice from a cello showing the f shaped sound hole. There's also sections in the darker areas with pieces from birds and animals, because the magazine that I used primarily was the Royal Society for the Protection of Birds magazine, but I quite like their inclusion, as it's a bit like a jigsaw puzzle.



When I featured Ellen Golla's piece "Tea Time With Gordy" a few posts back she was kind enough to comment that she had taken a few months to finish the piece, working on the piece for a little while each day, which is quite amazing. It was also really nice to find out from her that the foreground images, such as the tea set and the swans were indeed taken from photo's she'd taken and placed on top of the mosaic pieces, which is what I'd thought from studying it. Having her feedback has been invaluable and I'm very grateful.

Friday, 17 September 2010

Ellen Golla








http://zebracrossing.org/ I thought I'd do a link here to Ellen Golla's website. I've written about her in my sketchbook for two different projects, "Animals" and "Collage" and I just love her images and little constructions. The tiny books in little medicine capsules are amazing, how on earth would you make them? The quote by her on the first page is very inspiring, "I love the scent of paper, the textures of paper, and the endless possibilities of paper. My paper mosaic collages are intricately composed of hundreds of little bits of cut paper," and in an image like "Tea Time with Gordy" which I've included above from the Bridgeman Education site, it perfectly shows off each one of these tiny slices of paper, stuck together to suggest the movement of water, rushing the collection of tea set pieces, including a swan in a tea cup, over the edge of the table, like a waterfall, where they will surely crash. There's usually a slightly Surrealist element to her images, such as the swan in a tea cup, or maybe it's just there to show her sense of humour.

I've experimented with her way of working for the project "Collage" and found it to be very labour intensive, and I didn't even cut the pieces as small as she does. In the end I found that combining paper and paint, such as Mike Bernard's method was much more to my liking, but I'm glad that I experimented with a few different ways to find out. From studying this image above I imagine that she used the collage mosaic method for the background but used whole images for the tea set, as they look too perfect and smooth to have been constructed from many small pieces of paper. Her website says that she often uses her own images so I guess that's what she did here and took photo's especially for this composition.